Building an Improvised Quilt

Last month, when I finally got to see the quilts of Gee's Bend up close and in person, I was most delighted and energized to see how freely the quilts had been built. The Gee's Bend Ladies sometimes compare constructing a quilt to building a house. Lots of the quilts began with a square or rectangular piece of fabric. This would be the base, or foundation of the house. Strips, (like walls) are added to all of the sides. And from there more is added... a bit of this and a bit of that... building the quilt up... no pattern... everything improvised.


This made perfect sense to me, because I never work from a pattern, they completely confuse, and I admit, bore me! (At times, when working with different publishers, I have had to create patterns for pieces that I have already made, drawing up diagrams and writing step by step directions on how to make one of my pieces. This always makes me feel a bit awkward because it is so contrary to how my mind actually works.)


Keeping those Gee's Bend quilts in mind, (specifically the one's which started with a basic squarish shape) I began to construct this Flower Garden Art Quilt. I decided to only use scraps of fabric which were left over from some previous projects, and made a pact with myself that once the scraps were used up, I would stop... and that's just what I did!


I started with the center square, next added on the strips, and just kept building and adding until my scraps were used up.


I also noticed upon observing the Gee's Bend quilts, that the hand quilting on the pieces were often done in arcs. I decided to also quilt this piece in arc shapes, but used machine quilting, as that's what I perfer.


This is the back of the quilt. You can really see the quilting here. I just use my regular sewing machine and a walking foot, (a special foot that helps all of the layers feed evenly through the feed dogs.)

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I would absolutely love to see the creativity that could come from every sewer if patterns were thrown out! Just imagine the wonderful array of originality in design and construction that would be unleashed on the world!

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NOTE: As I was writing up this blog post, Jacquie over at TallGrass Prairie Studio was on a similar train of thought and had already posted the day before about her great idea Project Improv, a quilting collaboration that shares in and supports the efforts, process and results of those wanting to make improvised quilts of any size! Each participant is encouraged to make a project for themselves and to also make and send in a 12.5" improvised log cabin block from one of 3 selected color combos. The individual blocks are to be sewn into quilts and donated to charity. I think this project is a great idea, and I will be participating in the challenge and donating a block in Orange and Pink. I encourage anyone else who is interested to go to Jacquie's blog and join in on the fun! (Last I checked I believe she already had over 70 people respond to her post!)

Gee's Bend and James Castle

Hope everyone had a happy Thanksgiving, (and to those of you spread elsewhere in the world, I hope you all had a lovely weekend!) We were busy like most of you enjoying family, good food and going here and there. I managed to catch a nasty cold and spent all of Saturday sprawled on the couch, (kind of like the last illustration in my previous post, but wrapped in blankets and clutching a box of tissue.)

But by Sunday I was feeling a bit better and hubby and I took off by ourselves for a much needed date.


We headed off in the pouring rain to the Philadelphia Museum of Art eager to see the quilts of Gee's Bend. I have wanted to see these quilts since they first came into public awareness. Seeing them up close and in person was almost like a religious experience, and I actually had to choke back the tears at times as I was so overcome by their power.



After spending a good deal of time soaking in the quilts, and feeling as inspired as I will ever be, we headed to the next exhibit where we were introduced to the works of James Castle. I am shocked that I had not heard of him before, but I had not... I really need to get out more.


Once again, my mind was blown by the amazing work laid out before me.


Apparently James was born deaf and mute, and I would wager autistic. He went to school for the deaf, but either rejected or was unable to learn traditional forms of communication.


However, James became proficient in his own forms of visual communication, executing many drawings and showing a masterful understanding of one point prospective. The drawings are mostly done with a mixture of soot and spit, applied with a hand carved stick to any recycled paper or cardboard he had on hand.


James also created intricate cardboard replicas of objects, birds, people and totem shapes, bound together with string.




And his books! So many books! Oh my, they were fabulous and fascinating, made of all sorts of recycled materials and filled with his sketches, doodles, and symbols, often repeated over and over again, to form a most beautiful language. What a truly remarkable human being.





I have often heard other artists discuss how seeing a certain show changed the direction of their own work, but have never myself experienced anything so profound despite having seen many, many wonderful shows throughout my life. But these two particular shows were different. Both left me changed, and I know, (the way you just know some things) that viewing the quilted works done by the fine woman of Gee's Bend, and the work done by the utterly fascinating James Castle, will absolutely have an effect on my work.

I thank them all for the gifts that they have given us through their undying artistic exploration, ingenuity and creative spirit.